Electric energy pulses through the music of Tel Aviv-born pianist and composer Matan Porat. Earlier this year pianist David Greilsammer and the Israeli Chamber Project released recordings of his works, and he will tour North America this month and next spring with Musicians from Marlboro. He will be at the keyboard for György Ligeti’s 1982…
The sheer number of oratorios that George Frideric Handel wrote on Jewish subjects, including “Solomon,” “Esther,” “Joseph,” “Saul,” and “Judas Maccabeus,” has long led critics to suppose that he was a stout friend to the Children of Israel, and that London Jews were key patrons of his music. More recent scholarship suggests that Handel’s purported…
The photo of sweet-faced young people on the CD cover does not prepare you for the ferocity of the music making on “Opus 1” (Azica), the debut recording by the Israeli Chamber Project. Founded in 2008, the ICP as configured for Opus 1 comprises clarinetist Tibi Cziger, cellist Michal Korman, harpist Sivan Magen, pianist Assaff…
As this fall’s concert season kicks off, Manhattanites in search of classical performances with a dollop of Yiddishkeit will have a delightful array of choices, starting with the genial ghost of beloved Austrian Jewish violinist Fritz Kreisler, which presides over the New York Philharmonic’s Opening Gala. On September 27 at Avery Fisher Hall, Itzhak Perlman…
Out of curiosity, especially after reading the restless intelligence and enticing spin he recently gave his work on this blog, I went on August 14 to hear young Israeli pianist David Greilsammer make his debut at Lincoln Center’s Mostly Mozart Festival with a late-night, hour-long performance of wide-ranging repertoire. What I experienced was interesting and…
“On the Sublime” is a treatise from early in the Common Era by an unknown author, conventionally styled Longinus. Some scholars suspect that Longinus was a Hellenized Jew because he or she paraphrased Genesis, praising Moses for telling of Divinity’s power “in the opening words of his ‘Laws’: ‘God said’ — what? — ‘let there…
Two enthralling recordings that pair keyboard music from centuries past with contemporary works have been released this year. The first is Jeremy Denk’s “Ligeti/Beethoven” (Nonesuch), which bookends Beethoven’s otherworldly Sonata Opus 111 with György Ligeti’s astringent and electrifying études. The other is “Baroque Conversations” (Sony Classical) by the Jerusalem-born pianist and conductor “David Greilsammer,” who…
Austria’s internationally-acclaimed Salzburg Festival opened a new chapter last weekend when it kicked off the first in an annual series of spiritually-themed “Overtures” with concerts featuring selected pieces from the classical canon composed and performed by Jewish musicians. The 10-day addition of religiously-inspired programming to the beginning of the five-week performance calendar in the prominent…
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