‘Why did you ruin a perfectly good Jewish wedding?” The question is addressed to Damián Szifrón, the 38-year-old director of “Relatos Salvajes” (“Wild Tales”), the Argentinian film that competed at this year’s Cannes Film Festival. He seems caught off guard. Indeed, it’s unlikely that many of the audience members recognized the amped-up version of “Havenu…
The first task would be to describe the play. In the case of the production of Eugene Ionesco’s “The Killer” currently running at Theatre for a New Audience, this is not so easy to do. We open on Berenger (Michael Shannon), the shambling existentialist everyman who frequently leads us through Ionesco’s plays, touring a neighborhood…
Posted outside the Golden Theater on 45th Street — where, until recently, David Mamet’s newest play, “The Anarchist,” was running right down the block from his masterpiece, “Glengarry Glen Ross” — is the full text of an opinion piece Mamet wrote for The New York Times in November entitled “Considering the Excesses of Protest.” In…
Ronny Wasserstrom, left, as Mr. M, accomanied by his pigeon, center, played by Theresa Linnihan, and his shadow, right, played with finger puppets by Michelle Beshaw. Photo by Lee Wexler. In its evocation of “Terezin humor” — the grim recognition that if we didn’t laugh, we’d hang ourselves — “Mr. M,” by the Czechoslovak-American Marionette…
With his film “My Trip To Al-Qaeda” on HBO in September and his one-man show, “The Human Scale,” about to open in New York City, Pulitzer Prize-winning author and The New Yorker staff writer Lawrence Wright has a lot going on. During a short window between memorizing his lines and beginning rehearsals, he found time…
The central moment in Doron Ben-Atar’s new play “Peace Warriors” about the personalities, politics and relationships of the American academic left can slip by if you don’t pay attention. It takes place at the home of Darryl (the wife) and Scooter (the husband) Lewis. The couple, both Jews, live in New Haven, where she teaches…
