Photo by Mark Berney
Joey Weisenberg, 29, is the musical director at the Kane Street Synagogue in Brooklyn and is in charge of musical education at Yeshivat Hadar in Manhattan. He plays guitar, mandolin and percussion and sings in 10 different bands, is an artist-fellow at the 14th Street Y’s LABA program and a faculty member at KlezKanada. He also teaches music privately. He does all this, and still spends half or more of his time teaching congregations around the country how to build singing communities and conduct spontaneous choirs.
It’s the Itzhak and Yitzchok show! Violin virtuoso Itzhak Perlman is teaming up with cantorial superstar Yitzchok Meir Helfgot for a concert tour and recording project titled “The Soul of Jewish Music.” The inaugural concert takes place March 30 at the Saban Theatre in Los Angeles and will benefit Bet Tzedek Holocaust Survivors Justice Network.
I’ve been spending the morning pacing around the house singing Kol Nidre while my two-year-old son Jacob toddles about playing with his toys. Just like every year, it seems, the High Holidays arrive to find my life in a startling upheaval of activity, with the world swinging back into movement after the sultry months of summer. And it seems that every year I wait until the day before erev Yom Kippur to practice Kol Nidre. I have just a few hours before I will be singing it again for the expectant Jews, their viscera open in that particular way that Yom Kipur operates on the Jewish psyche.
I was pleased to see a profile in the New York Times on July 20 of the unusual cantorial-music-aficionado-turned-audiophile-sound-engineer Mendel Werdyger. Werdyger is the proprietor of Mostly Music, one of the last bastions of old school Jewish culture in New York City. While you can certainly buy the standard schlock recordings of Hasidic boys choirs there, the shop is also rich with reissues of powerful cantorial records and classics of Yiddish theater and Hasidic music.