He may be country music royalty, but his heart belongs to Leonard Cohen
On his newest release, country legend Rodney Crowell pays tribute to Montreal’s ‘rabbi poet, Buddhist monk, and sage’
Rodney Crowell performs at Bojangles Coliseum in North Carolina, 2018. Photo by Getty Images
From the beginning of his career, Grammy Award-winning singer-songwriter Rodney Crowell has been solidly ensconced in country music. He won a Grammy for Best Country Song for “After All This Time” in 1989, and one for Best Americana Album for Old Yellow Moon, a duet album recorded with his then ex-wife, Emmylou Harris, in 2014. And when Crowell married Rosanne Cash in 1979, he became a part of country music aristocracy; Rosanne’s father was the legendary country icon Johnny Cash, whose then-wife was June Carter of the “First Family of Country Music.”
The Carter family is widely regarded as having invented modern country music. Crowell brought his own considerable country-music bona fides along with him, and he and Rosanne Cash were considered the up-and-coming power couple of country over the course of their 13-year-marriage, which ended in divorce in 1992.
While strongly based in the country music tradition, Crowell was drawn to the alternative or “outlaw” country movement of the 1970s and 1980s, in which songwriters steered away from country music cliches and aspired more to the literate, poetic, confessional songwriting of folk- and pop-influenced writers like Bob Dylan and James Taylor. And with his latest single, “If I Could Speak to Leonard,” Crowell outs himself as a devotee of Canadian-Jewish singer-songwriter Leonard Cohen.
The new song will be included in Then Again — an album Crowell first recorded 20 years ago in 2006 but never released. The long-shelved project will finally be commercially available on June 26 from New West Records, featuring a newly recorded version of “If I Could Speak to Leonard,” which was originally written and recorded while Cohen was still alive.
The original album featured an all-star supporting cast of singers and musicians including Emmylou Harris, Lyle Lovett, Benmont Tench, and the late Guy Clark. By the time Crowell had recorded Then Again, which was intended to have been the third in a trilogy of albums, the singer-songwriter and Texas native had decided he was already moving on musically in other directions, and so he put it aside and with time it was nearly forgotten — until now.
“Who more than the rabbi poet, Buddhist monk, and sage,” sings Crowell, “defines the deep and holy text and song upon the page? ‘Be still,’ my comprehension cries, ‘there’s so much more than this,’ I’d love to speak to Leonard, could you put me on the list?”
“I’ve always acknowledged Leonard Cohen’s early work as a songwriter, particularly ‘Bird on a Wire’ and ‘Chelsea Hotel,’” Crowell told Magnet Magazine. “But once I heard the live version of ‘Waiting for the Miracle’ and the next few albums he’d release — especially Old Ideas and You Want It Darker — I came to believe he was the most important songwriter of our time. And I say that with all due respect for Bob Dylan and Tom Waits. Seeing him in concert after coming down from the mountain in California, I was convinced he was the most generous performer I’d ever witnessed.”
Throughout his career, Crowell has worked closely with many Jewish musicians and producers in the Nashville and New York scenes, including drummer Hal Blaine, singer-songwriter Marc Cohn, producer-guitarist John Leventhal, and Mickey Raphael, Willie Nelson’s harmonica player. Leventhal is married to Crowell’s ex-wife, Rosanne Cash. Crowell and Leventhal have frequently worked together on projects involving Cash, and Crowell has spoken warmly of their professional and personal relationship.
Much like Cohen’s, Crowell’s later work blurs the line between spiritual yearning and earthly, often gritty reality. Crowell’s ability to weave religious imagery with world-weariness is a direct reflection of the “Zen-monk-in-a-suit” archetype that Cohen perfected.
Crowell’s first big break came in 1975, when Emmylou Harris hired him to play rhythm guitar in her backup band, the Hot Band. In August 1978, Crowell released his debut album, Ain’t Living Long Like This. Crowell has recorded and performed several Bob Dylan songs over the years, including “Girl from the North Country,” “Like a Rolling Stone,” “Shelter from the Storm,” and “Simple Twist of Fate.”
But Crowell has never tried to tackle a Leonard Cohen song. The closest he has come is this tribute song. And to his credit, it kind of sounds like a Leonard Cohen song. Somewhere, the Bard of Montreal is looking down and listening and, one imagines, appreciating the recognition of yet another of the many dozens of singer-songwriters who have expressed their admiration for his work.
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