This is the Forward’s coverage of Jewish culture where you’ll learn about the latest (and sometimes earliest) in Jewish art, music (including of course Bob Dylan and Leonard Cohen), film, theater, books as well as the secret Jewish history of…
Culture
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Between Two Cultures: In Jerusalem, a Breakthrough Show of Works by Arab-Israelis
Opening a new exhibition of Arab Israeli art in Jerusalem — the first of its kind at any Israeli museum — are three etchings from the 1970s by Walid Abu-Shakra. At first glance they appear to be simple etchings of a village landscape: desolate and dry, absent of humans, perhaps the remains of an evacuated…
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God of Judgment, God of Love
As the season of repentance approaches, our Jay Michaelson offers some thoughts on the meaning of judgment, forgiveness and love, and how to think of the Infinite to whom the new year’s prayers will be directed. Every year at this time, for at least the past decade, I have struggled with the theology of atonement,…
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Trembling Before Allah
One year after the release of “Trembling Before G-d,” the iconic documentary on Orthodox Jewish gay men and lesbians, filmmaker Sandi DuBowski embarked on a project that was both deeply similar and utterly different from his first undertaking. In 2002, DuBowski agreed to produce “A Jihad for Love,” which would explore the plight of gays…
The Latest
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Just Say ‘Nu?’: I Remember Mameleh
It all starts with TAteh MAmeh Dad pa Mom ma If the tateh and mameh are yours, and you’re a kid, they’re usually TAteshee/TAtesheh Daddy MAmeshee/MAmesheh Mommy If you’re using any of these as titles in direct address, you use them exactly as they appear above: TAteshee, TAtesheh, LOZ MIKH NISHT aLAYN Daddy, daddy, don’t…
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Public Displays of Piety Are In Fashion, Thank God
Back in June, I clipped an article by New York Times Egyptian correspondent Michael Slackman about the increasingly ubiquitous use of the word inshallah in Egyptian Arabic. Inshallah is a compression of the three words, in sha’a allah, “if God wills,” and it is widely used by speakers of all dialects of Arabic when referring…
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September 19, 2008
100 Years Ago in the forward The Tshernovitz Yiddish Conference is one of those events that have attempted to stress the value and importance of our mameloshn, that one-time “jargon,” and to give it a place among the languages of Europe. During the past 25 years, much has occurred, the most important of which has…
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Bodies in Motion, Separate Solitudes
How does dance begin? “You are who you are. Your spirit received a certain body because you were chosen to,” said choreographer Noa Sagie, 24. “Just accept it. Take what you have and do what you can with it. The magic is discovering you can do anything you want with it. But if you don’t…
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The Poet Who Invented Himself
Yehuda Amichai: The Making of Israel’s National Poet By Nili Scharf Gold Brandeis University Press/University Press of New England, 424 pages, $35. Even to those who have no Hebrew, the name “Yehuda Amichai” might sound like a line of poetry, and poetry, at its best, should communicate through sound alone. But Yehuda is also Hebrew…
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Songs of a Lost Tribe’s Longing
In the Indian states of Mizoram and Manipur, far in the northeast near the Burmese border, some 7,000 people observe the Jewish Sabbath, kosher dietary laws and rules of family purity. Already, 1,400 of these people, known as Bnei Menashe, have immigrated to Israel. The remaining 7,000 wish to join their brethren as soon as…
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Art Spiegelman’s Original Stories, Now Shown in a New Light
Breakdowns: A Portrait of the Artist as a Young %@&!” By Art Spiegelman Pantheon Books, 72 pages, $27.50. When the artist Art Spiegelman published “Breakdowns” in 1978, it came out in a limited edition of about 3,000 copies. As Spiegelman recalls, “There was no demand for a deluxe large-format album that collected the scattered handful…
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Is the Dialect of Vilna Yiddish the One We Want To Rely On?
Paul Malevitz writes from Los Angeles: “For well over 70 years now, the standard dialect taught in Yiddish schools has been and still is the ‘northeastern’ one, similar if not always identical to that which was spoken in Vilna. (One difference is that in Vilna Yiddish, veynen can mean both ‘to reside’ and ‘to cry.’…
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