Ben Zion Shenker is one of the most prolific and respected Hasidic composers. In a podcast, Jon Kalish caught up with him at home in Brooklyn.
The National Endowment for the Arts announced today that klezmer clarinetist Andy Statman is among the recipients of its 2012 National Heritage Fellowships. The Brooklyn-based musician will be awarded the nation’s highest honor in folk and traditional arts during a ceremony in the fall.
Photo courtesy of Andy Statman
I’ve always had a deep appreciation for bluegrass. A form of Southern mountain music in overdrive, bluegrass coalesced in the late 1940s when Kentucky mandolinist and singer Bill Monroe, who had previously played old-time country and Appalachian music in a duo with his brother Charlie, formed a band called the Blue Grass Boys. The band really took off and defined its sound — and the sound of bluegrass as a genre — when Monroe recruited guitarist and singer Lester Flatt and innovative banjo player Earl Scruggs.
My musically sophisticated Orthodox friends often tell me that they are not interested in Jewish music. It’s not hard to see why. If you take the material produced by the Orthodox pop industry, it’s often just the frum equivalent of Justin Timberlake, or over-produced boys choirs backed up by obnoxious electronics and phony string arrangements.