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The Schmooze Art Spiegelman Struggles With Success
Art Spiegelman just wants to be left alone. Or, rather, he would really like it if parts of his career and biography were minimized, and others celebrated more. The central tension, both in the long conversations he had with University of Chicago professor Hillary Chute, the germ and base level of “MetaMaus” (2011), and now…
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The Schmooze Lunching With New Yorker Cartoonists
Every frame in Rachel Loube’s “Every Tuesday: A Portrait of the New Yorker Cartoonists,” now screening at the Boston Jewish Film Festival, together with “The Art of Spiegelman,” threatens to dissolve into cliché. There is the premise itself: Every Tuesday, New Yorker cartoonists, young and old, submit their work, and then go for lunch. It…
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The Schmooze Faced With Demolition, Bedouin Seek Answers
Set in an unnamed village in the Negev desert, Ami Livne’s low budget directorial debut, “Sharqiya,” tells the story of a Bedouin family whose home is served a demolition order by Israeli authorities. The film won the 2012 Jerusalem Film Festival’s Haggiag Award for best feature film, screened this month at the U.K. Jewish Film…
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The Schmooze Amy Heckerling on ‘Vamps’
Amy Heckerling is the auteur behind two iconic movies: “Fast Times at Ridgemont High” and “Clueless.” She was also the director of “National Lampoon’s European Vacation” and the writer and director of “Look Who’s Talking,” among other successes. Heckerling’s latest, “Vamps,” starring veteran Heckerlingers Alicia Silverstone and Wallace Shawn, is a smart comedy, not an…
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The Schmooze Eli Roth on ‘The Man With the Iron Fists’
Eli Roth, 40, is a Hollywood multi-hyphenate. He’s part of a group of filmmakers known as the “Splat Pack” because of the violent and bloody nature of their movies. He’s an actor, most notably playing Donny “the bear Jew” Donowitz in Quentin Tarantino’s “Inglorious Basterds.” He’s also a screenwriter and director of “Cabin Fever” and…
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The Schmooze An Israeli-Palestinian Accident of Birth
There’s a conceit among movie critics to be, well, critical. And “The Other Son,” a French film by director Lorraine Levy opening in the U.S. October 26, has its flaws. But it needs to be said upfront that, although it does not seem particularly realistic, the movie does a nice job on its own terms….
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The Schmooze The Orchestra That Saved Hundreds
The Nazi era and the Holocaust are such monumental subjects that any documentary filmmaker dealing with them is bound to feel daunted by the challenge. At the same time, we would be foolish to think that even the most serious moviegoer is breathlessly waiting for the next cinematic inquiry into Hitler’s perverse universe. All the…
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The Schmooze Pushing Ben-Gurion off the Roof
In his latest tour de force, Assi Dayan, Israeli cinema’s enfant terrible, seeks to push Israel’s Ashkenazi elite into its grave, literally and figuratively. Produced on a budget of just NIS 1 million (roughly $250,000), “Dr. Pomerantz” premiered last year at the Haifa International Film Festival and was nominated for Best Screenplay at September’s Ophir…
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